Playing a few choice notes from outside of the scale can also transform your solos. The first example is more of a guitar riff than a lick since the main difference between a riff and a lick is that a riff is meant to be repeated. In reality, not only do long notes and periods of silence sound great in guitar licks and solos but if you use only notes of short duration they may sound boring or poorly phrased. Note that in scale pattern 5 given above, you start on the note A … The relative minor key is always three frets (1½ steps) below the major key. To remedy that, David Wallimann has come up with five pentatonic licks that can help you memorize all the pentatonic positions along the fretboard. Consider the possibility of using two (or more) notes at a time when improvising licks, riffs, and solos. Try to form pentatonic scales starting from different notes, and different strings as an exercise. Minor pentatonic lick 1 The first example is more of a guitar riff than a lick, since the main difference between a riff and a lick is that a riff is meant to be repeated. This lick will teach you some blues guitar touches like semitone bends. Thus, with each guitar lick, there’s an explanation of the musical elements I’m using, which you can then use in your own improvised guitar licks, riffs, and solos. Every minor pentatonic shape is taught via clear diagrams, notation, and meaningful exercises that program the shapes and sounds into your muscle memory. Editor’s notes Recently I’ve been playing around with the A-minor pentatonic scale, and in doing so found myself settling into this groovy little progression. One can create great music using very limited rhythmic variation. The major pentatonic scale is a wonderful, simple way to add colour to your blues playing. From there, I would go to learning more guitar scales and applying all this to the scales you add to your vocabulary. “Learn these licks one by one, understand how they fit the particular position that they’re in, and then make your own, exploring other concepts, extracting from these licks some ideas … Learning the minor pentatonic scale has a liberating feeling because it makes it possible, even for an advancing beginner to start improvising licks and solos on the guitar. The 3 blues licks are free and for you to use in your own improvisation. Let’s face it: the minor pentatonic scale is the most commonly used scale in rock guitar, so without a good range of pentatonic rock licks to use, playing a great rock solo is going to be tough! Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. If you are just starting out in blues you should definitely check out this video. Learning the minor pentatonic scale on guitar is an easy thing you can do in 5 minutes. In this lesson, I’ll show you how to break out of the box by learning and using all minor pentatonic scale patterns, as well as applying rhythmic and melodic ideas you’re probably not making use of by this point. The 3 blues licks are free and for you to use in your own 5 Steps To An Ideal Guitar Practicing Mindset, first phase of learning how to use the minor pentatonic scale on the guitar, start improvising licks and solos on the guitar, Learning the name of the notes on the guitar neck. “The thing with music is those comfortable spots—like that bend you might do on the third string in the first position—is always gonna result in that particular interval being bent, and intervals in music are everything,” David explains. These cookies will be stored in your browser only with your consent. If we look at the minor pentatonic , we see that it consists of the following five notes: If we look at the A minor pentatonic scale laid out on the entire fretboard, we can see that these 5 notes (intervals) occur over and over again up and down the fretboard. Copy them, rip them apart, turn them around and make them your own. Once you can do that then try to mix it in with a 'normal' Minor Pentatonic jam - making sure you play the right lick over the right chord - and try to develop the sense of where you are in the chord sequence at all times - that is the key thing here! Core, this Kenny Burrell-style jazz-blues lick is simple take a look at the first notes. This riff is mostly based on notes from pattern 5 given above, you consent to the in... To create your own use to help you develop as a rhythmic element more in next... Into your playing good technical exercise to get you started those notes from the minor pentatonic ( pattern 2 the. 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